Saturday, December 08, 2012

Scumbled Lines of Loving


she allowed herself to sink
and jell into heartbreak
like tar in a tin can

why ever
did she waste
all those years
on fire
when she knew
she would get singed
and burned
and burned again

it was the third degree
it was the end
until out of the ash
and rain
and sun baked summer
came a new foundation
built on forgetfulness
and sand

she scumbled the lines
of loving until memory
no longer pained her

Saturday, September 22, 2012

On the way home from Rogue River


Fleeting

The moss is there, I believe,
on the north side of the Douglas fir,
I assume. I have to trust
it is there, believe it because,
traveling from the south,
I cannot see for sure
what is ahead. 

The old growth forest
whisks by like a Bev Doolittle painting--
those rows and rows of straight bare birch
with camouflaged appaloosa ponies.
Out of the corner of my eye
I catch brief possibilities
of wolves hidden in the woods,
or deer, or even nymphs and sprites
in the spaces between. 

A 4:00 p.m. sunlight
flicks like a strobe
and I am disoriented--
something about the past
being done, karmic overload
resolved, the Belladonna poison
of old loves expunged.

So what are these tears?
Muddy-brown regret for what is gone?
The past is grip-less,
yet the sage moss ahead,
invisible just seconds before,
is now at my back,
also behind me,
before I ever had a chance to touch it.  

Rogue River Realization


We have found ourselves through torrents of ash, smoldering memories, and waterfalls in the Siskiyou.  How long we have searched, strolled along paths, pine needles soft under foot, trillium by our side and wondered, “Where is the other side of my face? Where is my completeness, my motivator, my muse, my brush, my pen, my heart for making art again?”  Now, here, among towering Hemlock, we stand, shoulder to shoulder while the Rogue River spray over snags and boulders washes us clean, douses the flames of past pains and we smolder in a greenness, an emerald light of “Ahhh, finally.”

Saturday, September 08, 2012

Triolet in Lithia Park



Glory clouds arise --
turbulent mountains of air.
Thru collisions of breath, we realize
glory clouds arise.
Ecstasy no longer disguised,
we collapse in reality, so rare.
Glory clouds arise --
turbulent mountains of air.

Tuesday, July 24, 2012


The road reaches every place, 
the short cut only one,
a hard space between  
the rock and a brick wall.

The short cut, only one
Oceanside cave opening.
The rock and a brick wall
yield to you, beach primrose.

Oceanside cave opening,
crashing waves of darkness
yield to you, beach primrose.
Wind and sand, like diamond cutters.

Crashing waves of darkness.
Who can resist the shortcut?
Wind and sand, like diamond cutters,
polish my hardened heart.

Who can resist the shortcut?
A cautious entry into the cave of unknowing.
Polish my hardened heart.
When we linger and kiss salty lips, together,

a cautious entry into the cave of unknowing:
finest grains of sand transform to glass art.
When we linger and kiss salty lips, together,
our road reaches every place.




Thursday, June 28, 2012

A Haibun for the Morning After


I’ve made you dinner
my specialty casserole -
cheesy polenta.

The kitchen table hasn’t been cleared in a year; the hand-blown glass salt and pepper shaker I received last Christmas, never filled with spice.  You say nothing about the cobwebs in the corner; don’t even surreptitiously brush them away when my back is turned to pull the casserole from the oven.  I don’t notice the webs until the morning after when I’m re-arranging the table for one again,

perhaps the last time.
Between kisses and polenta
we said yes to us.

I recently read about a couple who got engaged eleven days after their first date.  We haven’t even dated three months; I’ve become a cliché lesbian bringing the U-Haul on the second date.  We each have our doubts, but I’m choosing to set mine aside and trust. “You could move in with me if you sell your house before we find one we both like.” 
“Really?”
Yes!

Still yes this morning
after.  Summer breezes, soft
clink of open blinds

against open windows.  Rightness reigns in the robin chatter. The long winter has finally ended. 

Saturday, May 19, 2012

May 2012



Spring is the time of almost-
the not yet
the not quite
slight tug
at shoots and roots alike.
Even when we know
every year the tight pink
Rhododendron bud
will always bloom
an unearthly white-
still, we anticipate
that Broadway sensation,
somethings comin’
don't know what
but it is gonna be great.

Saturday, May 12, 2012

Paradox


In darkness, we are
but one being:
one bedblanketpillowdreamer,
indistinguishable
from the closetwindownightmare
or the fourleggedsnoringsweetpea.
It is the moon
that separates us -
illuminates our differences
in muted shades
and variations of shadow.
It is the stars
that individuate.
It is dawn
that breaks us apart.
It is light
that distinguishes us
and sets the stage
for the long journey back
into oneness.



Saturday, March 31, 2012

Tango with Gaia

on this, this simmering day
filled with expectation
and wild anticipation ~
a cello stringed tension
of O
you are
I am
wonderfully
and beautifully made
in the garden, veiled
lush light blossoms bloom
and who knew
who we
would become
would come
along this path
this trail
fertile and moist
who knew
all the paths
we would roam?
She knew
all in the all knowing, we
would meet
should meet
in this lifetime
for this, this dance.

Friday, March 30, 2012

A Pantoum

Pursue Truth with Passion

She seeped in on crimson arterials
and oxygenated my heart
her Psalmic words, my Rumi words
we conjugated in a circle of cedar

Oxygenated my heart
and the Word was made flesh
we conjugated in a circle of cedar
learned ourselves together into tapestry

And the Word was made flesh
scripted scripture, words in red
learned ourselves together into tapestry
lectio divina, our morning song

Scripted scripture, words in red
until covenant stopped her cold
lectio divina, our morning song
funneled away along lifeless blue veins

Until covenant stopped her cold
I never doubted the divine truth
funneled away along lifeless blue veins
I feared death and clutched at what was

I never doubted the divine truth
until she told me she didn’t love me enough
I feared death and clutched at what was
like a breathless runner in pursuit of the finish line

Until she told me she didn’t love me enough
beauty breaks open the human heart
like a breathless runner in pursuit of the finish line
Finish line? finish line? What is the truth?

Beauty breaks open the human heart
I thought she said she spoke the truth in love
Finish line? finish line? What is the truth?
She seeped in on crimson arterials, and

To not possess

Rondel instead of rondeau

she covets openness of form

freedom of being:

gray, grieving tear space

instead of fenced emotions

precariously unclaimed

instead of “Will you be mine?”

She covets a dancing solitude

heart to the wind

instead of family dinners

same time same place of security

instead of firm footing

a wobbly walk on the edge

leaping lapping flames

along spinal curls she craves

every night

every night

every night

she craves and covets

a wild abandon

wild flowers in spacious fields

a sunlit gold in a heartbeat

she could possess

but if she does

would the shimmering desire

the dandelion puff in her palm

lose the glory

as she wraps her fingers round?

Triolets

drawn through moonlight
imagine me
nerve ending white
drawn through moonlight
entangled limbs of life
star song ecstasy
drawn through moonlight
imagine me

Oh no!
Electric blue
Comes the big O
Oh no!
Now I know
The aroma of you
Oh no!
Electric blue

Big bang cosmology
The universe in rapid expansion
I have come to know your physiology
Big bang cosmology
Mysteriously lusty theology
Ecstatic release of tension
Big bang cosmology
The universe in rapid expansion

Pearls slip from a necklace poorly strung
not so with the silver threads of you
where opal essence slides between teeth and tongue.
Pearls slip from a necklace poorly strung,
clatter to hard wood floors and roll away, unsung,
lost, unlike you, my throated ostinato jewel.
Pearls slip from a necklace poorly strung
not so with the silver threads of you.

Brushed like a chime rung and sung
by your meandering hand.
Tonight I want to be your one
brushed like a chime rung and sung
again, in my mouth, your talented tongue
and straddling your naked body, I stand
brushed like a chime rung and sung
by your meandering hand.

Suliah Psalm 318

In evening moonlight
early east and full
in morning moonlight
early west and full
through out the night
full I stand
alone with you
barefoot
and unafraid

An Anniversary

Tomorrow is the anniversary of one great love long ago. The circumstances of today align with the past, but this time say no, and yet I grieve:

O

succulent one

full ripe I write

cheek in hand

elbow propped

on table top

I write about fruit

and fecundity

because I am not

writing about you

or the pillow

between my thighs

or the echo of kisses

and lustful cries

I write words

like velvet diadems

and emerald robes

because you will never see

words that brush, flush, and flutter

words that hum in swollen breasts

you will never see caress.

I write about Susan and Emily D.

words over backyard laundry lines

words between the sheets

I write word song cabarets

smoke ringed illusions

of tuxedoed women

poised on the edge

of their straight backed chairs

legs spread whisky

voices blended in fifths

unlike our Gregorian fourths

I write about Sister Clare

on bended knee

in poverty

in chastity

in Lenten contemplation

seeking God’s words

as distraction

from your lips.

I write a vow

a convenient

a promise

I promise to write

You and Yahweh

instead of you and my way

and yet

O

Tuesday, February 21, 2012

More letting go

"Secret" by Wang Wei, translated by Graeme Wilson

No. It is not enough to despise the world.
It is not enough to live one's life as though
Riches and power were nothings. They are not,
But to grasp the world, to grasp and to feel it grow
Great in one's grasp is likewise not enough.
              The secret is to grasp it, and let it go.

Saturday, February 18, 2012

Selky's Dive


“The blue jay is fearless, and it is because of this that it can help people connect with the deepest mysteries of this earth and the greatest of heaven.” ~ from Animal Speak by Ted Andrews
 “Gaia, Gaia, ha, ha, ha,” the blue jay cackles as the woman dips between dream and awake.  Salt water laps at her manicured toes (what an odd thing to notice at this point in the dream). Beckoning sunlight, soft and unsquinting, lures her ankle deep, knee deep, waist deep, further and further out into the ocean until she tastes brine on her lips. “I will surface only to breathe,” she tells herself, “like a large seal, or one of those Selkies, from the Shetlands, mysterious sirens of the sea.” Only in moonlight will I come to shore, shed my sealskin and dance, beautiful and desirous, limitless, on cool, white sand.
She relaxes her knees just enough for the water to wash over her ears and spread her fine hair in a whorl around the crown.  Lighter than life she floats, bobbing easily in the slight wake.  Her mind quiets to weightless lines of poetry.  She wants to be here, only here, always in the space between, floating on the horizon, away from the heat of her days, fearless of what might happen or what already passed.  A sea- muffled, “Caw, caw, caw” invades the loud silence of her underwater get away.  “Caw, caw, caw.” That nasty crow has now joined the annoying blue jay.
“The blue jay is a reminder to follow through on all things –
to not start something and then leave it dangling.”

“Come down here on one knee,” her mother instructs.  The cement blocks lining the pond scratched at her boney knee, but she really wanted to learn to dive like her mother: elegant, athletic and competent.  Some moms are nurturing, some smothering, some non-existent; her mother was an instructional mom, one who teaches you what you need to know and then sends you at least 500 miles away from the nearest relative to make your own way in the world, independent, needing no one.  She comes from a long line of instructional mothers.
Her mother could have been an Olympic diver.  Three precise steps toward the end of the diving board and on the third step she bends her right knee up parallel to the sky, toe pointed.  Then both feet join at the edge, knees bent, the board bows under her downward thrust.  Her arms extend to the sides and she springs needle straight into the air.
“On one knee, lift your arms to your ears and lock your thumbs together.  Elbows straight like an arrow.” Her mother places her hands on her elbows to lock them tight around her ears --perfunctory, purposeful touch.  Not too tender, for any touch too tender would have melted her into a pool of longing and she would not have been able to focus on the learning at hand.
At the height of her jump, her mother folds in half at the hips, jack-knifed in mid air, fingertips touching toes.  Her mother’s hands were small; fingertips calloused, stained brown from paring apples and sculpting clay.  Her fingers were long and slender.  Her feet would soon outgrow her mother’s shoes and she would eventually look down on her mother’s compact frame, half a foot taller.
“Bend at your waist, keep your head between your arms, fingertips touch the water first.  Ya know, if you go head first, not arms first off the high dive, your head will slap so hard that you’ll have a headache for days.  Protect your head.” Her mother’s head was covered in short, black curls.  She was blonde until first grade, hair long and straight.  The boys in the family got the curls; the girls, at best, sported a natural bend.  Her mother had silky brown eyes, hers were hazel.  Mother, right-handed, she, left.  Sometimes she wondered if she was adopted or somehow switched at birth.
Her mother’s body, still in flight, would open again to an inverted blade moments before slicing into the water.  She and her brothers used to count the rings rippling out from their mother’s point of entry.  In the beginning of the summer, there might be seven or so rings, but by the end of the season, there were only two or three.  “Admirable,” they all thought.
“Head between your arms.  Head between your arms.  Now just roll into the water, 3, 2, 1, go.”
Her mother could have been an Olympic diver.  She could have been an Olympic swimmer or ice skater.  She could have been a professional artist, sculpting, sketching and painting her way to fame.  She could have been an actress, a naturalist, a biologist, a costume designer, a seamstress like grandmother, a quilter, or even a teacher.  Her mother could have been many things, but she chose to be a wife and mother.  After her sophomore year at Denison University, she chose a man, Dad.  She got her MRS degree, had four children, led Girl Scout troops, volunteered at the Nature Center, and taught swimming for the Red Cross and the Y.  She taught ice skating to the neighbors, sewing in 4-H, made hand-drawn Christmas cards, one-of-a-kind quilts, and most of the children’s clothes until they were in Jr. High ~ all these talents bestowed only to her family.
“3, 2, 1, roll.  You can do it.” Easy for her to say as the eldest daughter summoned up the nerve to complete her first semi-dive.  The daughter couldn’t see the murky bottom of the Pennsylvania farm pond.  She had no idea where she was heading or what she would find when she got there, but the instruction time was over and she could feel her mother getting distracted. “Lift your bottom, fingers first, 3, 2, 1, roll.  You count this time.”  The daughter’s anxiety bored the mother who wanted to get back to the diving board for a smooth swan dive or the ever perilously impressive back dive.  Skinny and shivering, the daughter’s blue lips whispered, “3, 2, 1 roll.”
Warm, algae-green water slid easily up her arms, her hair smoothed along the back of her neck and shoulders, sleek like after a Sunday night bath.  She eased into the water until only her toes remained exposed to the afternoon sun.  Finally, fully submerged and successful, she slowly released her breath, sending bubbles to the surface and letting her mother know she was okay and had remembered the swimming lessons from the previous summer.  She sunk in the weighty weightlessness until her lungs pinched and then she sprung to the surface like a frog between lily pads.  Her first dive.  She’d done it right.
“Okay, good, let’s try again from standing this time.” No time to bask in success.  There was still much to learn in the nine years before college.  Learning to dive was only the beginning.  There was learning how to: cook, sew, iron, garden, write newsy letters, save money, spend money wisely, get a job, keep a job.  She needed to learn about: the Vietnam war, Watergate, Legionnaire’s Disease, the birds & the bees, the Amish, the Bible (although not from her mother on this one), and about how to survive the cruelty of junior high school girls.  She needed to learn how to: handle disappointment without sour grapes, success with humility, and problem solving with her own creativity and initiative, independent, needing no one.
Protect your head, lock your thumbs, take a deep breath, bend at the waist, 3, 2, 1, roll, she told herself.  Dive, surface, dive again.  She will surface only to breathe like the large seals, only covering her ears with her elbows.
“Seals have no external ears…Ears are the center for hearing and balance.  If a seal shows up as a totem…it is time to do some questions.  Are you getting out of balance? Has the imaginative faculty open so much that you are not staying grounded?  Are you listening to things and people you shouldn’t?  Are you not listening to that which you should?  Are you listening to the inner voice?  Are you following the words of others rather than your own?”

“Gaia, Gaia, ha, ha, ha.” “Okay, okay,” she gurgles, a pool of sleepy drool on her pillow, “Another five minutes and I’ll get up.”
The woman listened to her mother and became a teacher.

In her dream, the woman teaches a friend how to body surf.  “You want to catch the wave before it crests.  See how it is still rounded and rolling?  Start your ride on the front side of the curve.”  They bob through a few innocent waves that barely break on the shoreline.  Warm sun increases her friend’s confidence.  She cannot teach confidence, but she wishes to instill trust.  Her friend might not be comfortable in the water, but she wants more than anything for the friend to feel safe with her.  “Water is the creative element.  It’s a symbol of the feminine, the emotional, the imaginative, and dreamtime.”
Her friend rolls her eyes.  “Why does everything have to mean something to you?  Can’t water just be water?”
“The archetypal force of the seal helps those with them as totems to learn to balance the inner imagination with the outer realities – making both aspects more colorful and beneficial.”
“I want you to feel safe in the water like I do.” Secretly, she wants to vow, “I will keep you safe,” but it is a promise she cannot keep.  She knows the ocean’s power is no contest for her desire to care and protect. And, safety, security is an illusion…warranties, car insurance, marriage contracts, nobody can keep the promise of complete safety and anyone who says s/he can is a charlatan, not to be trusted.  Trust must come from the willingness to stand by, no matter what.  She can make that promise ~ to stand by, fearless, protective without being possessive.
Her friend attempts a few waves then trudges back to the comfort of dry land. 
She wants to surface only to breathe.  She wants to live in the legend of the Selkies, seals by day, sleek, black, graceful and inviting with their large brown eyes.  Appearances can be deceiving, however.  Seals can be quite dangerous if you get too close.  The ocean can be deadly if you go too deep.  “Are you getting out of balance? Has the imaginative faculty opened so much that you are not staying grounded?”  The appearance of her friend in her dream, the practical friend who holds on to her ankles so she will not drift too far away from reality, her friend reminds her to stay balanced. 
She follows her friend to shore, wakes, lifts herself out of bed, separates the blinds to look out at the world, sunlight, soft and unsquinting, she remembers, water is the creative element and
“There are no limits to the creative energies stimulated by the seal totem.  They enliven dreams and awaken the imagination so they can be applied to the outer world.” ~ Animal Speaks.

5 years ago

I entered my first term at Goddard to study Transformative Language Arts and get certified in Poetry/Journal Therapy.  Five years ago this month I gave myself five years to "finish" this journey, to be the person I was meant to be, to sell my house and delve in the healing power of the spoken word.  I didn't finish Goddard, certification, or a poem a day.  My blog posts in 2007 were so hopeful, so positive, so certain, so clear, but again, life got in the way of my ideals.  This March, I will know if I can continue my journey in with the transformative power of words - if I can begin again.  Paulo Freire said once "...to begin always anew, to reconstruct, and to not spoil, to refuse to bureaucratize the mind, to understand and to live life as a process--live to become..." to do all that is what?  Is courage? Is Transfiguration? Is living life? Is human?


Big sigh!  Today I begin again.

Coming Out


Toy Box

But you can’t be a lesbian
her mother cried:
You played with dolls
not footballs.
You curled your hair
in pink foam rollers.
You chose,
from the hand-me-down box,
smocked and flowered dresses
instead of your brother’s blue jeans.

But what mother didn’t know
is that all the hair-curling,
and dress wearing
was so that Miss Wilson would
adore her, pet her, claim her,
kiss her.
What mother didn’t know
she cried
was that when Ken raped Barbie,
Barbie turned to Midge for comfort.

Choice at Transfiguration


A Thin Place

Saturated in release
we lie
while the world
swirls around us –
an ocean of evolution.

Later comes the choice:
to linger deep
or surface
to preserve the moment
or simply swim on
to sidle up to mystery
or congeal in the known
to persist with gills
or breathe air.

Transfiguration


Ascension

I prepare the way
with a clean house
a rested body
a clean conscience

Darkness visible
I am ready
after years of shedding
I am ready for release

Ready to let go
all the strands of hair
the blood and breath
all the shadows of wrong

doing, I let go

Keep Away Girl

Who resides at the shoulder
of that keep-away arm?
She does not know.
She only knows the figure
on the other end of the fist.
She knows only her heart,
a bruised peach
that continues to beat and desire
and press against
that hardened, stay-away fist.
Why? Venus asks, Why
does she keep
subjecting herself to hope?
As if that handful of coal
will brilliantly burst into diamonds -
as if the knuckles will un-gnarl
and that ossified elbow
will miraculously bend and release.

Thursday, February 16, 2012

In Words Matter


You are my living mystery

the inexplicable constancy
of sunrise and awe
of a bleeding moon
You are my wonderment
my robin song in winter
a fantastical poem
of atom splitting effervescence
and joy
O Yahweh
You are
the riot of my soul
that spins me into oblivion
amazed and perplexed
I tremble at the mountainous
miracle of You
foundation cracking
floor creaking
fullness of You
my fences fall
in a tornado
of temperance
a thunderbolt of love
doors burst open
to You
exultant
ecstatic
over and under
whelmed
by You
my dove
my fire
my God
You are
alive
in me

Saturday, February 11, 2012

Another Epiphipoem


(Wo)
Man-i-
fest light.

May I possess
epiphany –
seamlessly celebrate
reason and mystery –
together in one luminous
corner of un-i-verse, to claim
my own
my whole.

Recovery


Sun Catchers,

You who have braved loss
                of lovers
                of motherhood
                of houses
                and Sweetpeas
you who have trudged through amazons
                of anxiety
                strangling vines of insecurity
                and adrenalin surges that snake up your spine
you who have traversed darkness
                while the unwanted
                press their urgent, metallic bodies into you,
you have sought relief
                in shiny bottles
                and long-stemmed glasses --
                a night-life held delicately between fingertips
                until cracked into chartreuse shards of morning light.
You have bloodied your feet
                on that broken glass
                limped along through sallow days
                wallowed in self pity
                until finally you pulled yourself from the depths
with mud-sucking honesty, you
                gathered the shattered pieces
                to fuse them bit by broken bit --
                to make useful and pretty again--
you have made sun-catchers from shadows.

Saturday, January 14, 2012


Encountering Dangerous Beauty

Are you asleep in uninhabited salt sands,
parched places of apathy, or are you
agitated in desert wastelands ~

awake in the dark light where mystics stand,
or do you slump in your usual Sunday pew?
Are you asleep in uninhabited salt sands?

Do you fill your life with privileges of every brand
or do you empty your cup of all you once knew ~
agitated in desert wastelands.

What do you require to acquire? How do you fill your hands?
Can you reduce possessions to just a few
or are you asleep in uninhabited salt sands?

Commercialize, privatize, merchandise: your life in a can.
What do you get from all this? What do you construe ~
agitated in desert wastelands?

To bloom in the desert, don’t you understand,
you must let go of the last hope of morning dew.
Are you asleep in uninhabited salt sands
or vitally agitated in desert wastelands?







Wendy Thompson 2/2007

January 2007















White Light of a January Morning

Snow today and I am not eager
to drive to work down Sandy Boulevard
because cars park in the middle of the road here,
even with a mere two inches of powder,

so I delay and watch from my upstairs window
while fat flakes rain down on the bright light
of 52 year old Donna and five year old Jackson
sledding on the white sidewalk

this pallid day, another northwest winter,
sky, as always, a pewter gray, but today
children unfurl through red front doors,
full of oatmeal and enthusiasm

with more than a hint of ecstasy
stuffing their Michelin-man snowsuits
while parents gather on the corner,
a veiled vigil to snowball levity.

Nobody is going anywhere today,
except to ski in the cemetery,
wave hello to the dead,
and etch angels in grass-speckled snow.

Outside my window, between SUVs
and a few enduring maple trees,
three days past Epiphany,
tiny white Christmas lights still blink hope;

overflowing, feet-stomping, snow-shaking, door-slamming
hope; Donna shouting ‘woohoo’ with neighbor boys -
a tribe of the uncensored; hope
leaves white footprints in their abandoned wake.

Saturday, January 07, 2012

It's a Sign

One aqua plastic Easter egg
landed in my spruce tree.
Thrown, dropped, placed, unearthed?
How it got there I can only imagine.
The landlord, a neighbor, a past lover, a crow?
I want to attach a person
or storyline to this message of hope.
She's back, love you best, free rent, you win?

Robin egg-blue, nestled in evergreen branches
just out of reach ~ simply, spring always follows winter.